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The US box office saw its biggest opening weekend in history thanks to the one-two punch of ‘Spider-Man: Brand New Day’ and ‘The Odyssey’. But the industry’s rebound is increasingly being powered by higher ticket prices, premium-format screenings and a handful of blockbuster releases rather than a broad return of moviegoers. While the domestic box office revenue is on pace for its best year since the pandemic, film audiences have shrunk. Whether high-budget movies can sustain this year’s momentum is an early test of how much the industry’s recovery depends on fewer people paying more to watch movies.
Theaters sold an estimated 470.9mn tickets through the first 30 weeks of 2026, compared with 747.3mn during the same stretch of 2019, according to S&P Global Market Intelligence.
“Revenue growth for exhibitors for a long while now has been mostly driven by increases in average ticket price along with increases in concession prices,” said S&P Global Market Intelligence analyst Wade Holden.
Data from research firm Placer.ai, which tracks foot traffic, shows a similar pattern. When measured through July, US theatre attendance is up 8.1% this year compared with 2025, but down 27% against 2019 levels. A stronger and more varied slate of films, including non-franchise successes like ‘Obsession’ and ‘Project Hail Mary’, has helped drive box office growth this year. Domestic box office revenue reached $6.2bn through August 2, up 15% from the same period last year, according to media analytics firm Rentrak. In 2019, box office sales topped $7bn at this point in the year.
Unlike recent years, when the domestic box office was dominated almost entirely by sequels and popular franchises like Marvel and Star Wars, this year’s biggest earners include a larger share of original or standalone films, suggesting audiences are responding to a broader range of theatrical releases.
“This year’s success at the box office speaks to a well-rounded release calendar that features a bit of everything and appeals to a wide spectrum of moviegoers,” said Shawn Robbins, director of movie analytics for ticket seller Fandango and the founder and owner of Box Office Theory. The high-profile summer releases of ‘Spider-Man’ and filmmaker Chris Nolan’s re-imagining of Homer’s epic, which has sold out higher-priced IMAX venues, are giving exhibitors some of their best results since the pandemic.
Covid-19 accelerated a shift that was already underway as streaming services gave consumers more home viewing options. Many audiences now reserve theatre visits for major event films and franchise releases. Theatre chains responded by expanding premium large-format screens and upgrading the in-theatre experience, betting that consumers will pay more for outings that cannot easily be replicated in front of a television.
Early signs are encouraging. AMC Entertainment, the world’s largest cinema chain, said strong demand for premium screens helped it post its highest single-weekend revenue in its 106-year history and biggest-attended weekend of the decade. More than 10.2mn moviegoers visited its AMC and Odeon theaters, it said.
Even though inflation has partly weighed on the consumer appetite for the movies, higher prices have benefited a handful of major studios, with Universal, Walt Disney, Sony, Warner Bros, and Paramount Pictures, accounting for 68% of domestic receipts this year, according to an analysis of data provided by Rentrak.
